VMan #16 – "A Day At the Atelier"

Do you want an exclusive peak behind the scenes of some of Spring 2010’s best collections? Well here you go.

In the current issue of VMan #16, five designers – Calvin Klein, Givenchy, Dior Homme, Dsquared, and Thom Browne – give full viw of all the behind the scenes action. The shots include designers working on their collections, mood boards, backstage going ons, and the sets themselves. Each page also displays a quote from the designer of the collection.

Enjoy!

The feature / click shots for full view

Photographers: Thomas Lohr, Schohaja, Zoe Cassavettes, Dan Leeca

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GQ Japan October 2009 – "Checks" by Alexi Lubomirski

As the year comes to end and we wait for the new collections that are just around the corner, how will you remember the others shown this past year? If you’ve got Fall 2009 on the brain, chances are, some of your fondest memories of the season include a bit of plaid and a lot of geometry. From Dolce & Gabbana’s many miniature squares to Hugo by Hugo Boss’ boxed visual madness, Fall 2009 can now be remembered as the season hard to escape a little the square.

Shooting two of the industries most in demand men, Photographer Alexi Lubomirski brings the trend alive and does it in true GQ fashion – basic background and endless jumping.

The Editorial / shots in full view

Models: Marlon Texieria (Wilhelmina New York) & Simon Nessman (Major Model Management)
Photographer: Alexi Lubomirski
Styling: Sean Spellman
Styling Assistant: Morgan Pilcher
Make-Up: Itsuki
Hair: Ben Skervin

[Images: Extracted by sobigsobig @ modernparty.cn]

VMan #16 – "Most Wanted" by Richard Phillips

Usually I am opposed to most celebrities in magazines, and while I do not like some of the celebrities featured in this “editorial” featured in VMan #16, this is different.

For Fall 2009 VMan collaborated with Richard Phillips to illustrate five celebrities on the red carpet. These Richard Phillips illustrations have a very cool rough feeling with the gird paper showing through. I also enjoy the funny captions beneath the illustrations; one being – “Every time Justin Timberlake sings in falsetto, a puppy gets castrated. Bob Barker approves.”

This editorial was honestly my favorite part of VMan #16, so check it out and tell me what you think!

The Editorial / click shots for full view


Celebrities: Chace Crawford, Zac Efron, Leonardo DiCaprio, Justin Timberlake, Robert Pattinson
Illustrations: Richard Phillips
Captions: Michael K.
Text: Aimee Wallston

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Shop The Shows – Dior Homme Fall 2009 Two Tone High Neck Shirt & Mid Boot

Have you ever fallen in love with something that you’ve seen come down a runway, only to later develop an extreme urge to have it? Well worry no more. Seeing that the virtual shelves of our favorite online stores are constantly being restocked with the latest in all (most) of your runway delights, I’ve decided to keep track.

Show: Dior Homme Fall 2009
Item: Two Tone High Neck Shirt
Price: $502.54 | £310.00 | €346.10
Features: “Black and white two tone high neck shirt. The high neck is white on the underside and is visible when the neck is folded over. A zip fastening sits at the top of the neck and down the left shoulder. Long sleeves. The hemline falls to the hips.”
Where to Buy: Brownsfashion.com

Item: Black Contrast Mid Boot
Price: $965.00 $669.00 Now Sold Out
Features: “Leather plain toe lace up mid boot with contrast welt on thick rubber sole.”
Where to Buy: Barneys.com

[Runway Images: Alessandro Lucioni]

160g Dec/January: Designers at Work – Rad Hourani Spring 2010 Preview/Interview

It seems as if it were only the other day that were we looking at a self portrait of designer Rad Hourani impersonating the great Karl Lagerfeld. Well speed time up a few years later, the designer best known for creating a view of what a unisex not too distant future may look like, gives a bit of insight into his world.

Displaying a Spring 2010 collection that could arguably be Lagerfeld’s latest competion (or fresh blood), showing his stance on the future of fashion bloggers, and why he’s not out to replace Helmut Lang or Ann Demeulemeester, all in a feature by Marta Represa, shot by photographer Eric Sposito. Which may make you re-think the uses of a chunky-heeled boot (or maybe not).

The Collection & Interview / click shots for full view

You say you have no technical design background, so what drove you towards Fashion in the first place?

Rad Hourani: I’ve always been attracted by aesthetics: images, elegance and people with great style have always fascinated me. Fashion has been a part of my life ever since my childhood, when I used to see my mother’s new dresses, until I started working as a model scout and stylist. It was then that I started transforming clothes, but I was more interested in getting to know myself than in the fashion industry… And I could never really find the kind of clothes that perfectly expressed my personality. So I started creating unisex, straight-lined, limitless clothes. I wanted something timeless, something that was different from all the trends and the drama that we usually see in fashion.




After only five collections you are considered one of the biggest rising talents. What is it about your collections that catches the eye?

Rad Hourani: I think it’s mainly about being in the right place at the right time. People are ready for my work and for a new kind of unisex fashion. I don’t intend to start a revolution, I simply want to stick to what I do and be honest with myself. I just want to make clothes for broad-minded, elegant and nonchalant people while spontaneously constructing my own aesthetic universe.

Your new line RAD is available since November in stores. How is it different from the main line?

Rad Hourani: When I decided to start up RAD, I was thinking of affordable basics that reflected my creativity and that were adaptable to every style. The collection is composed mainly of comfortable, wearable basics in cotton and jersey. Creating RAD seemed like a natural step to take after my main line. I’m not sure though whether I should call it a second line… It’s just a collection meant for people that understand my universe.

You say your clothes come from no place, no time and no tradition. Hasn’t your historic background influenced your designs?

Rad Hourani: It hasn’t! I don’t like flags or nations. I believe in a modern tradition. The people I dress are witty and aware, and they have no limits. My clothes must reflect that. I don’t like clothes that refer to the past, or that subscribe to a tag or a trend. I’m all about vertical and horizontal lines, about a universal language.

You don’t really follow trends that change from season to season. What inspires you to shape up a collection?

Rad Hourani: Inspiration can come from anywhere: a word, the streets, architecture, a person… My brain analyzes everything I see throughout the day, but it’s in the moments of silence and calm that creation takes place. For me it starts by asking to myself what do I want to wear, and from there I begin to develop the collection by drawing lines and choosing fabrics. I find it very important to be unique and not to copy other people’s work. It doesn’t bother me to be compared to people like Helmut Lang or Ann Demeulemeester, but I wouldn’t imitate their work.

In what way are your designs non-conformist?

Rad Hourani: My designs are genderless, which is really not a mainstream concept. My clothes are meant for people that don’t follow the established codes of tradition, religion, trends… I aim to dress all kinds of people with a personal point of view on life, interesting, different, stylish people.

There is a unisex feel to all your collections. Is this a new form of sexuality?

Rad Hourani: Absolutely! Although I prefer to talk about sensuality. Sexuality is something trivial whilst sensuality lasts forever. I’m talking about a new way of living one’s sensuality, without any sort of society-imposed limits. Everything relates to sex. Why should we tag it and put limits to it?

Most of your fans are young people with an edgy and avant-garde take on fashion. How do you think the industry is changing nowadays?

Rad Hourani: Internet is changing everything. The importance of fashion blogs is increasing as the traditional system of printed magazines and advertisers is menaced. Thanks to Internet we have a much easier access to everything, which paradoxically means we have to be more selective. Hence the future of fashion rests in individuality, quality, focus and timelessness. Throughout Internet, we see who we are, we see ourselves in a sort of mirror; so, in the future, real will be the deal.

Models: Clement Heurtier (Bananas Models) & Adel (Premier Models)
Photographer: Eric Sposito
Styling: Matthieu Pabiot
Hair & Make-up: Veronique Marot at Calliste
Production: Florence Cymerman

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Numéro Homme #18 – Météorite by Eric Nehr

Even though there hasn’t been much Spring 2010 in editorials yet, I would still like to revisit this epic editorial.

Numéro Homme #18 features Clément Chabernaud shot by Eric Nehr. Featuring some of the sharpest and coolest clothes from Fall 2009, the editorial leans towards a feeling of loneliness, as if Clément was transported from his modern world into a world filled with nothing but his thoughts and his clothes.

The Editorial / click shots for full view

Model: Clément Chabernaud / Wilhelmina
Photographer: Eric Nehr

[Images: Eric Nehr]